Saturday, April 17, 2010
Gardener's Gathering
Well today Cindy and I are off to the Master Gardeners gathering at the Blue Goose Fruit Sheds in Loomis. Since we are on the tour next month, they compted two tickets for us. It should be an interesting day. I'll let you know later. Have a good one.
Friday, April 16, 2010
Gee what was I thinking?
When the Placer County Master Gardeners showed up at my home and asked if I would like to put our garden on the tour, I willingly said yes. A week later I looked at the garden and saw all the mess from the afterbloom of thousands of daffodils, I wondered what I could do to make it look better and make sure I had color in the garden. The daffodil leaves cannot be cut off until they turn yellow, because they require the sun and nutrients to replenish the bulb for next season.
Since that time I have been working feverishly to clean up ever inch of our property to make sure it looks well cared for, neat and pretty. Weeds seem to know this and I whenever I clear a flowerbed and move on to another area, during the night they send up new shoots to make me think I didn't weed the bed. I know some of it is due to the frequent rain showers that are helping the weed seeds in the soil to germinate, but wow, there must be centuries of accumulation! Either that or the neigbors trolls are spreading new seeds in the dark of night.
I have been systematically cleaning out leaves, weeds, dead branches, old growth in all the flower beds and rearranging and planting new flower varieties that should be in bloom in May. Unfortunately, whenever I distrurb the soil, new weeds sprout because I gave their seeds the right conditions to germinate. I should mulch the beds when I finish, and that would slow down the weeds and also capture the moisture for my new plantings.
One of the biggest jobs was finishing a 130 foot drainage line from the front of the house to the back, inorder to divert all the water that pours into our property from the street. This project took a week, but it did work well when everything was put back and the pipe was in. A good torrential rain was a good test for it. Another huge job was digging out the stumps of an 18 year old Oleander and a Lelandia Cypress that I had to cut down. Relandscaping and cleaning everything up took several days. The new look is a lot more pleasing, but I was sore for several days after.
I still have to finish taking all the bark out of the rose garden and reusing it in other parts of the garden, and then putting out new redwood mulch that is finer and more appropriate to dress it all back up. Fortunately I stopped the spread of Blackspot, and hopefully I can keep the aphids at bay until they begin to bloom in a few weeks. Lets hope the weather holds and I can stay on track to assure that the garden is pristine for Mother's Day. Oh well, so much for the break, time to get back to work!
Since that time I have been working feverishly to clean up ever inch of our property to make sure it looks well cared for, neat and pretty. Weeds seem to know this and I whenever I clear a flowerbed and move on to another area, during the night they send up new shoots to make me think I didn't weed the bed. I know some of it is due to the frequent rain showers that are helping the weed seeds in the soil to germinate, but wow, there must be centuries of accumulation! Either that or the neigbors trolls are spreading new seeds in the dark of night.
I have been systematically cleaning out leaves, weeds, dead branches, old growth in all the flower beds and rearranging and planting new flower varieties that should be in bloom in May. Unfortunately, whenever I distrurb the soil, new weeds sprout because I gave their seeds the right conditions to germinate. I should mulch the beds when I finish, and that would slow down the weeds and also capture the moisture for my new plantings.
One of the biggest jobs was finishing a 130 foot drainage line from the front of the house to the back, inorder to divert all the water that pours into our property from the street. This project took a week, but it did work well when everything was put back and the pipe was in. A good torrential rain was a good test for it. Another huge job was digging out the stumps of an 18 year old Oleander and a Lelandia Cypress that I had to cut down. Relandscaping and cleaning everything up took several days. The new look is a lot more pleasing, but I was sore for several days after.
I still have to finish taking all the bark out of the rose garden and reusing it in other parts of the garden, and then putting out new redwood mulch that is finer and more appropriate to dress it all back up. Fortunately I stopped the spread of Blackspot, and hopefully I can keep the aphids at bay until they begin to bloom in a few weeks. Lets hope the weather holds and I can stay on track to assure that the garden is pristine for Mother's Day. Oh well, so much for the break, time to get back to work!
Monday, April 12, 2010
When is a Painting Finished?
Sometimes I struggle with when to stop adding to my paintings. It is a question of when is enough detail or color enough? I have learned so much about the values of colors and how important it is to have differences and graduations between the darks and the lights in a painting. But I still struggle at times with areas in a painting to make them look believeably real. I am a realist in my style of painting, and so am a stickler for detail and accuracy. My mentor however, does not waste a lot of time on detail, he paints beautifully and lets the viewer fill in the details he has not bothered to paint.
My instructor, Reif Erickson, of Auburn is a master pastelist. He has written four books on the subject of painting and he has been a very successful pastel artist for many years. He is amazing to watch as he uses an photo as our object lesson of the day. He begins his sketch and then begins to apply the darker undertonesof color in various areas of the painting.
It is a treat to watch him start a painting from its early sketch with a darker pastel to its completion. He studies the photo and decides what he will include, and what he will leave out. Sometimes he will take a portion of a landscape photo and turn it into a portrait style of painting. He takes time to sketch the details and scale of the painting. He can complete a 9" X 13" landscape pastel painting in about 30 minutes. He takes a drab photo, with washed out colors and within a short time creates a beautiful painting that has all of the undertones and colors lacking in the photo. What had been and unremarkable photo, becomes a painting that stimulates our eyes because the scene is so alive. He is a master in the use of color. When one stands six feet away, the painting looks so complete and beautiful, however, when one gets close, it is amazing how little detail is really there. Our eyes fill any voids, and blend colors to complete the painting.
The attached beach scene of a northern California Beach was one that I fussed over. I wanted to make sure that the surf looked real, so that the viewer could recall the way it breaks and spreads out on the sand and then recedes leaving a streamming of water as it flows back. I hope you enjoy my painting, and it brings back a memory for you.
My instructor, Reif Erickson, of Auburn is a master pastelist. He has written four books on the subject of painting and he has been a very successful pastel artist for many years. He is amazing to watch as he uses an photo as our object lesson of the day. He begins his sketch and then begins to apply the darker undertonesof color in various areas of the painting.
It is a treat to watch him start a painting from its early sketch with a darker pastel to its completion. He studies the photo and decides what he will include, and what he will leave out. Sometimes he will take a portion of a landscape photo and turn it into a portrait style of painting. He takes time to sketch the details and scale of the painting. He can complete a 9" X 13" landscape pastel painting in about 30 minutes. He takes a drab photo, with washed out colors and within a short time creates a beautiful painting that has all of the undertones and colors lacking in the photo. What had been and unremarkable photo, becomes a painting that stimulates our eyes because the scene is so alive. He is a master in the use of color. When one stands six feet away, the painting looks so complete and beautiful, however, when one gets close, it is amazing how little detail is really there. Our eyes fill any voids, and blend colors to complete the painting.
I paint detail because I want to be able to show my viewer the beauty of something I see. I want them to experience every nuance and color that I found so interesting. I love to look paintings done by fellow artists who are as obsessed with detail as I am. I enjoy seeing their ability to show the grain of wood on a barn, the detail they have recreated in the bark of a tree, or the sheen of a horses coat from the sunlight. I marvel at their ability to paint life truly as they see it. Looking at their paintings is like looking at a window of life for me. Perhaps that is why I am mired in detail, and not able to just splash color on a canvas and stop when I have a likeness. My goal is to recreate what I have seen so I can share what drove me to replicate it, not have you the viewer, fill in what I didn't paint and try and interpret what I was trying to communicate. I know my art may fascinate and please some who are wired like me. I also know that for those who think in the abstract, it will have no interest at all. That is okay too for there are other artists out there to please them. I on the other hand will continue to paint until it has reached my personal standard.
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